淺析曹禺戲劇中女性悲劇的根源 - 畢業(yè)論文

摘   要

曹禺以現(xiàn)實(shí)主義創(chuàng)作手法，在其戲劇創(chuàng)作中塑造了許多栩栩如生的女性形象。她們是處于不同階層，有著不同性格的女性，但在她們身上都帶有濃厚的悲劇色彩。個(gè)人的不幸反映了時(shí)代的不幸。本文試圖以這1女性群體為研究對(duì)象，結(jié)合當(dāng)時(shí)的社會(huì)環(huán)境與人物的內(nèi)在因素來(lái)探析造成那個(gè)時(shí)代女性悲劇的根源。

關(guān)鍵詞：曹禺；雷雨；日出；原野；女性；悲劇根源

ABSTRACT

CaoYu by the realism creation technique has portrayed many lifelike feminine image in his play. They are the female who in the different social stratum, and has the different disposition, but all have the strong tragedy color on their body. Individual misfortune has reflected misfortune of the time. This article attempted to take this feminine community as the research object, and union social environment and characters intrinsic factor to analyzes the root of the feminine tragedy that time.

Key words: CaoYu; Thunderstorm; Sunrise; Wilderness; Female; The root of tragedy

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